{"id":109098,"date":"2023-07-07T14:59:08","date_gmt":"2023-07-07T12:59:08","guid":{"rendered":"https:\/\/batijournal.com\/?p=109098"},"modified":"2023-07-07T14:59:08","modified_gmt":"2023-07-07T12:59:08","slug":"la-facade-composite-de-la-gaite-montparnasse","status":"publish","type":"post","link":"https:\/\/batijournal.com\/index.php\/la-facade-composite-de-la-gaite-montparnasse\/109098\/","title":{"rendered":"La fa\u00e7ade composite de la Ga\u00eet\u00e9 Montparnasse"},"content":{"rendered":"<p>La mairie de Paris souhaitait r\u00e9nover en profondeur le quartier Montparnasse ayant pour objectifs de \u00ab r\u00e9parer le traumatisme de l\u2019urbanisme des ann\u00e9es 70 \u00bb et de restituer l\u2019identit\u00e9 forte de ce quartier embl\u00e9matique de Paris. La r\u00e9habilitation de l\u2019\u00eelot Ga\u00eet\u00e9 Montparnasse en faisait l\u2019objet. Construit en 1974, par l\u2019architecte Pierre DUFAU (1908-1985), le projet initial \u00ab l\u2019Ilot Vandamme \u00bb \u00e9tait embl\u00e9matique et se d\u00e9marquaient notamment par la force de ses lignes verticales. Le b\u00e2timent principal accueillait auparavant un centre commercial, des bureaux, une biblioth\u00e8que, un parking souterrain et le mythique h\u00f4tel Pullman. Ce dernier \u00e9tait l\u2019un des gratte-ciels les plus hauts et les plus distingu\u00e9s de Paris. Ce b\u00e2timent d\u2019envergure aux lignes impeccables t\u00e9moignait de la tradition urbanistique de son \u00e9poque. Cette \u00eele urbaine pos\u00e9e sur un socle de b\u00e9ton et habill\u00e9e de fa\u00e7ade en verre ainsi que de treillis d\u2019acier rouge ne correspondaient plus aux besoins et \u00e0 l\u2019environnement actuels : usages pi\u00e9tons, espaces publics peu accueillants, manque d\u2019\u00e9clairage naturel dans les bureaux, galerie commerciale d\u00e9su\u00e8te, parking commercial surdimensionn\u00e9, \u2026<\/p>\n<p>Selon les principes de l\u2019\u00e9conomie circulaire, les architectes de l\u2019agence MVRDV ont souhait\u00e9 r\u00e9utiliser les parties importantes et l\u2019\u00e2me de la structure pr\u00e9c\u00e9dente des ann\u00e9es 1970 en tirant b\u00e9n\u00e9fice de la volum\u00e9trie du b\u00e2timent existant. Leur finalit\u00e9 \u00e9tait de redonner \u00e0 l\u2019\u00eelot une \u00e9chelle humaine ancr\u00e9e dans son environnement et s\u2019ouvrant sur la ville. Ils ont ainsi rationnalis\u00e9 les espaces d\u00e9j\u00e0 existants : h\u00f4tel, centre commercial, bureaux et biblioth\u00e8que. Pour plus de mixit\u00e9, des logements sociaux et un jardin d\u2019enfants ont vu le jour. De nouveaux b\u00e2timents ont \u00e9t\u00e9 construits pour le densifier. Les surfaces d\u00e9di\u00e9es aux commerces et bureaux ont \u00e9t\u00e9 \u00e9tendues. R\u00e9pondant aux enjeux environnementaux actuels, le b\u00e2timent respecte les crit\u00e8res HQE (Haute Qualit\u00e9 Environnementale) et accompagne le d\u00e9veloppement de mobilit\u00e9s douces. Le traitement architectural des fa\u00e7ades a \u00e9galement fait l\u2019objet d\u2019une attention particuli\u00e8re.<\/p>\n<p>Aujourd\u2019hui, le b\u00e2timent offre une fa\u00e7ade coh\u00e9rente avec de grandes ouvertures. La fa\u00e7ade est trait\u00e9e de fa\u00e7on ludique mettant en sc\u00e8ne chaque composante gr\u00e2ce aux diff\u00e9rents tons de rev\u00eatements, de divers retraits et surplombs sur plusieurs \u00e9tages. Les volumes sont comme embo\u00eet\u00e9s les uns aux autres, en d\u00e9bord de l\u2019alignement de fa\u00e7on al\u00e9atoire et de tailles diff\u00e9rentes. La fragmentation des fa\u00e7ades, telle un patchwork de bo\u00eetes permet de dynamiser l\u2019architecture et de retrouver une \u00e9chelle plus humaine de l\u2019\u00eelot. Chaque \u00e9l\u00e9ment diff\u00e8re par sa taille, son utilisation, sa couleur et ses mat\u00e9riaux. Les fa\u00e7ades en composite imagin\u00e9es par MVRDV et con\u00e7ues par TIM Composites conf\u00e8re une identit\u00e9 forte \u00e0 l\u2019\u00eelot Ga\u00eet\u00e9 Montparnasse et le choix des nuanciers traduit la vari\u00e9t\u00e9 de fonctions. En effet, la multiplicit\u00e9 des teintes aux nuances cuivr\u00e9es et grises conf\u00e8re une allure dynamique au b\u00e2timent. TIM Composites a r\u00e9alis\u00e9 le fa\u00e7onnage des cassettes aluminium composites pour son partenaire SARMATES. Ce syst\u00e8me de fixation invisible par accrochage lat\u00e9ral sur \u00e9triers pr\u00e9r\u00e9gl\u00e9s est \u00e0 la fois esth\u00e9tique et technique.<\/p>\n<p>Ma\u00eetre d\u2019ouvrage : Unibail-Rodamco-Westfield<br \/>\nMa\u00eetre d\u2019\u0153uvre : MVRDV, SRA ARCHITECTES<br \/>\nClient : SARMATES<br \/>\nSyst\u00e8me de pose : TIM K7 \u00c9TRIER, syst\u00e8me de fixations invisibles par accrochage lat\u00e9ral pour cassettes aluminium composite.<br \/>\nMat\u00e9riaux : LARSON Real anodize naturel, Light Grey 7035, Window Grey 7040, Dusty Grey, Basalt grey 7012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La mairie de Paris souhaitait r\u00e9nover en profondeur le quartier Montparnasse ayant pour objectifs de \u00ab r\u00e9parer le traumatisme de l\u2019urbanisme des ann\u00e9es 70 \u00bb et de restituer l\u2019identit\u00e9 forte de ce quartier embl\u00e9matique de Paris. La r\u00e9habilitation de l\u2019\u00eelot Ga\u00eet\u00e9 Montparnasse en faisait l\u2019objet. Construit en 1974, par l\u2019architecte Pierre DUFAU (1908-1985), le projet [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":109099,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[10530,6340,10771,10775],"tags":[51,3705],"class_list":["post-109098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-architecture-conception","category-5facades","category-actualites-5facades","tag-composite","tag-menuiseries-aluminium"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La fa\u00e7ade composite de la Ga\u00eet\u00e9 Montparnasse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/batijournal.com\/index.php\/la-facade-composite-de-la-gaite-montparnasse\/109098\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La fa\u00e7ade composite de la Ga\u00eet\u00e9 Montparnasse\" \/>\n<meta property=\"og:description\" content=\"La mairie de Paris souhaitait r\u00e9nover en profondeur le quartier Montparnasse ayant pour objectifs de \u00ab r\u00e9parer le traumatisme de l\u2019urbanisme des ann\u00e9es 70 \u00bb et de restituer l\u2019identit\u00e9 forte de ce quartier embl\u00e9matique de Paris. La r\u00e9habilitation de l\u2019\u00eelot Ga\u00eet\u00e9 Montparnasse en faisait l\u2019objet. Construit en 1974, par l\u2019architecte Pierre DUFAU (1908-1985), le projet [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/batijournal.com\/index.php\/la-facade-composite-de-la-gaite-montparnasse\/109098\/\" \/>\n<meta property=\"og:site_name\" content=\"Batijournal\" \/>\n<meta property=\"article:published_time\" content=\"2023-07-07T12:59:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/batijournal.com\/wp-content\/uploads\/2023\/07\/facade-composite-tim-gaiete-montparnasse.png\" \/>\n\t<meta property=\"og:image:width\" content=\"519\" \/>\n\t<meta property=\"og:image:height\" content=\"359\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"St\u00e9phane Miget\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bati_journal\" \/>\n<meta name=\"twitter:site\" content=\"@bati_journal\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"St\u00e9phane Miget\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/batijournal.com\\\/index.php\\\/la-facade-composite-de-la-gaite-montparnasse\\\/109098\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/batijournal.com\\\/index.php\\\/la-facade-composite-de-la-gaite-montparnasse\\\/109098\\\/\"},\"author\":{\"name\":\"St\u00e9phane Miget\",\"@id\":\"https:\\\/\\\/batijournal.com\\\/#\\\/schema\\\/person\\\/1dc96ec6957aa1ccb25ebe78bb19f100\"},\"headline\":\"La fa\u00e7ade composite de la Ga\u00eet\u00e9 Montparnasse\",\"datePublished\":\"2023-07-07T12:59:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/batijournal.com\\\/index.php\\\/la-facade-composite-de-la-gaite-montparnasse\\\/109098\\\/\"},\"wordCount\":627,\"image\":{\"@id\":\"https:\\\/\\\/batijournal.com\\\/index.php\\\/la-facade-composite-de-la-gaite-montparnasse\\\/109098\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/batijournal.com\\\/wp-content\\\/uploads\\\/2023\\\/07\\\/facade-composite-tim-gaiete-montparnasse.png\",\"keywords\":[\"composite\",\"menuiseries aluminium\"],\"articleSection\":[\"Actualit\u00e9s\",\"Architecture &amp; 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