{"id":75888,"date":"2014-01-08T00:00:00","date_gmt":"2014-01-07T23:00:00","guid":{"rendered":"http:\/\/b.bati-journal.com\/pour-tout-savoir-de-loeuvre-dauguste-perret\/75888"},"modified":"2019-07-15T11:17:53","modified_gmt":"2019-07-15T09:17:53","slug":"pour-tout-savoir-de-loeuvre-dauguste-perret","status":"publish","type":"post","link":"https:\/\/batijournal.com\/index.php\/pour-tout-savoir-de-loeuvre-dauguste-perret\/75888\/","title":{"rendered":"Pour tout savoir de l’oeuvre d’Auguste Perret"},"content":{"rendered":"

L’exposition \u00ab Auguste Perret, huit chefs d’oeuvre Architectures du b\u00e9ton arm\u00e9 \u00bb, organis\u00e9e par le Conseil \u00e9conomique, social et environnemental (CESE) en collaboration avec Fondazione Prada se tient en ce moment et jusqu’au 19 f\u00e9vrier 2014 \u00e0 Paris, au sein du Palais d’I\u00e9na (si\u00e8ge du CESE) et met \u00e0 l’honneur un des parcours architecturaux les plus inspirants du 20\u00e8me si\u00e8cle. Joseph Abram, en tant que commissaire scientifique, assure avec son \u00e9quipe de l’\u00e9cole d’architecture de Nancy la coh\u00e9rence th\u00e9orique et historique du projet. L’agence d’architecture OMA AMO, sous la direction de Rem Koolhaas, commissaire artistique, est en charge de la mise en sc\u00e8ne, des contributions contemporaines, et con\u00e7oit le sch\u00e9ma directeur des \u00e9v\u00e9nements culturels. Gr\u00e2ce \u00e0 une probl\u00e9matique th\u00e9orique solide et \u00e0 des moyens de production contemporains, l’exposition entend renouveler de fond en comble le regard port\u00e9 sur cet intellectuel constructeur qu’\u00e9tait Auguste Perret, \u00e0 travers huit \u00e9difices majeurs : \u00e0 Paris, l’immeuble de la rue Franklin (1903), le Th\u00e9\u00e2tre des Champs-Elys\u00e9es (1913), l’\u00e9glise Notre Dame du Raincy (1923), la salle Cortot (1928), le Mobilier national (1934) et le Palais d’I\u00e9na (1937) ; au Havre, l’H\u00f4tel de Ville (1950) et l’\u00e9glise Saint Joseph (1951). Ces huit \u00e9difices ont marqu\u00e9 par leur mode d’\u00e9laboration inventif et leur rapport \u00e0 la mati\u00e8re, un enrichissement d\u00e9cisif de l’architecture du 20\u00e8me si\u00e8cle. L’exposition prend place dans la salle hypostyle du Palais d’I\u00e9na qui constitue la premi\u00e8re oeuvre r\u00e9v\u00e9l\u00e9e au visiteur. La sc\u00e9nographie de OMA AMO r\u00e9utilise des dispositifs sc\u00e9niques con\u00e7us par l’agence d’architecture pour Prada au Palais d’I\u00e9na. En effet, depuis 2011, OMA \u00a0AMO explore l’espace du Palais d’I\u00e9na en concevant des sc\u00e9nographies de d\u00e9fil\u00e9s et d’\u00e9v\u00e9nements culturels. La sc\u00e9nographie de l’exposition est un collage de ces diff\u00e9rentes recherches, con\u00e7ue comme des lectures contemporaines de l’architecture d’Auguste Perret. Cette installation temporaire, cette architecture dans une architecture, est profond\u00e9ment contextuelle et met en avant la force de la permanence de cette architecture de b\u00e9ton.\u000b\u000bwww.lecese.fr<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L’exposition \u00ab Auguste Perret, huit chefs d’oeuvre Architectures du b\u00e9ton arm\u00e9 \u00bb, organis\u00e9e par le Conseil \u00e9conomique, social et environnemental (CESE) en collaboration avec Fondazione Prada se tient en ce moment et jusqu’au 19 f\u00e9vrier 2014 \u00e0 Paris, au sein du Palais d’I\u00e9na (si\u00e8ge du CESE) et met \u00e0 l’honneur un des parcours architecturaux les […]<\/p>\n","protected":false},"author":1,"featured_media":75889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6340],"tags":[],"class_list":["post-75888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture-conception"],"yoast_head":"\nPour tout savoir de l'oeuvre d'Auguste Perret<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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