{"id":81080,"date":"2010-11-15T00:00:00","date_gmt":"2010-11-14T23:00:00","guid":{"rendered":"http:\/\/b.bati-journal.com\/pastiche-en-pleine-pierre-a-bordeaux\/81080"},"modified":"2019-07-15T11:29:45","modified_gmt":"2019-07-15T09:29:45","slug":"pastiche-en-pleine-pierre-a-bordeaux","status":"publish","type":"post","link":"https:\/\/batijournal.com\/index.php\/pastiche-en-pleine-pierre-a-bordeaux\/81080\/","title":{"rendered":"\u00ab\u00a0Pastiche\u00a0\u00bb  en pleine pierre \u00e0 Bordeaux"},"content":{"rendered":"<div>\u00c9trangement, Bordeaux, craintive de devenir ville mus\u00e9ale, a fait v\u009cu de modernit\u00e9 en g\u00e9n\u00e9ralisant \u0096 pour ses nouvelles constructions \u0096 le recours aux fa\u00e7ades de verre et de b\u00e9ton cir\u00e9. Ce paradoxe au pays du label UNESCO, alli\u00e9 \u00e0 la pr\u00e9f\u00e9rence donn\u00e9e aux produits de placage, avait exclu depuis environ vingt ans le recours \u00e0 la pleine pierre pour r\u00e9aliser des constructions neuves. Sollicit\u00e9 par un promoteur parisien pour une op\u00e9ration initialement situ\u00e9e \u00e0 Libourne, Jean-\u00adChristophe \u00adPerrodo, cofondateur d\u0092Agenc\u00e9a, a propos\u00e9 \u00e0 son client un terrain situ\u00e9 \u00e0 l\u0092angle du boulevard Antoine-\u00adGautier et de la rue Franz-\u00adDespagnet. Le corps du b\u00e2timent d\u00e9j\u00e0 pr\u00e9sent dans l\u0092angle du site a \u00e9t\u00e9 restaur\u00e9 et prolong\u00e9 par un immeuble enti\u00e8rement neuf. D\u00e8s l\u0092origine du projet, en 2005, tenant compte de l\u0092historique du quartier, Agenc\u00e9a, bien que sp\u00e9cialis\u00e9e en architecture contemporaine, a pr\u00e9conis\u00e9 de r\u00e9aliser des fa\u00e7ades sur le mode du pastiche, mais la mairie pr\u00e9f\u00e9rait, elle, un projet plus contemporain. Avis pris des \u00e9lus locaux et de la population, c\u0092est finalement la proposition initiale du pastiche qui a \u00e9t\u00e9 retenue \u00ab afin de ne pas heurter les habitants \u00bb, pr\u00e9cise Jean-\u00adChristophe \u00adPerrodo. \u00ab Le but \u00e9tait de construire un immeuble qui puisse tellement bien s\u0092int\u00e9grer dans l\u0092existant que les passants ne s\u0092apercevraient pas qu\u0092il est neuf. Le pastiche, en fin de compte, c\u0092est essayer de reproduire une architecture d\u0092hier, mais pas de la copier, car il s\u0092agit d\u0092une fa\u00e7ade enti\u00e8rement recompos\u00e9e. \u00bb A ainsi commenc\u00e9, en juin 2008, un chantier global de 2,3 millions d\u0092euros qui a \u00e9t\u00e9 d\u00e9finitivement livr\u00e9 le 16 juillet dernier (ce d\u00e9lai int\u00e9grant l\u0092extraction et l\u0092\u00e9vacuation des blocs de pierre d\u00e9couverts dans le sol au moment du terrassement).<\/div>\n<div><\/div>\n<div><b>Des mod\u00e9natures prononc\u00e9es<\/b><\/div>\n<div>Les 120 tonnes de pierres utilis\u00e9es pour la fa\u00e7ade et les moulures proviennent des carri\u00e8res charentaises (Sireuil Hauteroche) et girondines (Frontenac), les pierres issues de ces derni\u00e8res \u00e9tant \u0096 en raison de leur r\u00e9sistance \u0096 particuli\u00e8rement adapt\u00e9es \u00e0 la r\u00e9alisation des soubassements. La fa\u00e7ade a ensuite \u00e9t\u00e9 mont\u00e9e par blocs de pierre calepin\u00e9s \u00e0 l\u0092ancienne (60\u2009cm de large par 33\u2009cm de haut) avec une base de 25\u2009cm d\u0092\u00e9paisseur, cette derni\u00e8re augmentant en fonction des mod\u00e9natures qu\u0092il faudra tailler dans la pierre une fois en place. Les corniches, elles, sont pr\u00e9taill\u00e9es. \u00ab Si les outils ont tout de m\u00eame \u00e9t\u00e9 un peu am\u00e9lior\u00e9s par rapport \u00e0 ceux qui existaient au XVIIIe ou au XIXe si\u00e8cle, la technique de construction de la fa\u00e7ade en pierre pleine reste la m\u00eame \u00bb, pr\u00e9cise Jean-\u00adChristophe \u00adPerrodo. Par rapport \u00e0 des fa\u00e7ades traditionnelles, une fa\u00e7ade en pierre pleine se monte donc comme un mur en brique ou en parpaing, ce sont les sculptures des mod\u00e9natures qui augmentent la dur\u00e9e des travaux. \u00ab Et ces mod\u00e9natures \u00e9tant prononc\u00e9es, elles ne pouvaient \u00eatre r\u00e9alis\u00e9es qu\u0092avec des pierres pleines \u00e0 la diff\u00e9rence des parties sans mod\u00e9nature qui auraient pu \u00eatre r\u00e9alis\u00e9es en placage de pierre, mais la diff\u00e9rence de co\u00fbt n\u0092\u00e9tait pas significative. Alors, autant tout faire en pleines pierres ! \u00bb D\u0092autant que l\u0092un des atouts majeurs de cette r\u00e9gion et de cette ville dont le patrimoine r\u00e9clame un entretien constant, c\u0092est d\u0092avoir su pr\u00e9server des corps de m\u00e9tiers qui, tels les tailleurs de pierre, sont toujours en pleine activit\u00e9 et conservent leur savoir-faire. G\u00e9n\u00e9ralement sollicit\u00e9s pour intervenir sur du placage ou du ravalement, ils ont pu revenir sur cette op\u00e9ration \u00e0 des pratiques traditionnelles de leur art.\b<\/div>\n<div><\/div>\n<div><b>Fiche d\u0092identit\u00e9<\/b><\/div>\n<div>\n<ul>\n<li>Ma\u00eetre d\u0092ouvrage :\u00a0La G\u00e9n\u00e9rale de promotion (75)<\/li>\n<li>Ma\u00eetre d\u0092\u009cuvre :\u00a0Jean-Christophe Perrodo \u0096 Agenc\u00e9a (33)<\/li>\n<li>Co\u00fbt total des travaux : 2\u2009330\u2009000\u2009\u0080 HT<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9trangement, Bordeaux, craintive de devenir ville mus\u00e9ale, a fait v\u009cu de modernit\u00e9 en g\u00e9n\u00e9ralisant \u0096 pour ses nouvelles constructions \u0096 le recours aux fa\u00e7ades de verre et de b\u00e9ton cir\u00e9. Ce paradoxe au pays du label UNESCO, alli\u00e9 \u00e0 la pr\u00e9f\u00e9rence donn\u00e9e aux produits de placage, avait exclu depuis environ vingt ans le recours \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":81081,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[6340],"tags":[3711,1150],"class_list":["post-81080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture-conception","tag-bordeaux","tag-chantier"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Pastiche&quot; en pleine pierre \u00e0 Bordeaux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/batijournal.com\/index.php\/pastiche-en-pleine-pierre-a-bordeaux\/81080\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Pastiche&quot; en pleine pierre \u00e0 Bordeaux\" \/>\n<meta property=\"og:description\" content=\"\u00c9trangement, Bordeaux, craintive de devenir ville mus\u00e9ale, a fait v\u009cu de modernit\u00e9 en g\u00e9n\u00e9ralisant \u0096 pour ses nouvelles constructions \u0096 le recours aux fa\u00e7ades de verre et de b\u00e9ton cir\u00e9. 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